Pablo PICASSO
Le Repas Frugal 1904
Plate 1 from La Suite des Saltimbanques 1913
Etching & scraper on zinc, printed after steel
facing on van Gelder paper,
one of the edition
of 250 printed in 1913
for Vollard by Fort
Plate 46.3 x 37.7cm
Paper 65.7 x 50.5cm
(full margins)
Bloch 1, Geiser/Baer 2 II.B2

Pablo PICASSO
Les Deux Saltimbanques 1905
Plate 5 from La Suite des Saltimbanques 1913
Etching, from the deluxe
edition of 27 or 29
on Japon paper, aside
from the edition of 250
Plate 12 x 9.1cm
Bloch 5, Baer 6iiib

Pablo PICASSO
Scene Bachique au
Minotaure 1933
Etching, from the
edition of 250
Image 29.7 x 36.6cm
Plate 85 from La Suite
Vollard,
Signed lower right
Bloch 192, Geiser 351

Pablo PICASSO
Sculpteur et Trois Danseuses Sculptées
29 mars 1934
Plate 81 from La Suite Vollard
Etching, from the edition of 250
Plate 22.3 x 31.3cm
Bloch 217

Pablo PICASSO
Sculpteur et modele
debout 17 avril 1933
Plate 68 from
La Suite Vollard
Etching, from the
edition of 50
Plate 36.7 x 29.8cm
Bloch 177

Pablo PICASSO
Bacchus et femme
nue etendue 1933
Engraving & drypoint
on Montval paper
with Picasso
watermark, ed. 55
before steel
facing, printed by
Lacouriere in 1942
Plate 29.8 x 23.9cm
Bloch 0284 Geiser 0432.3

Pablo PICASSO
Deux petits taureaux 1945
Lithograph on Arches
wove paper
One of 18 proofs, no edition
Image 14 x 26cm
Bloch 1342, Mourlot 010

Pablo PICASSO
Maison close: le chocolat I 1955
Sugar-lift aquatint, etching, engraving & scraper on Arches wove paper 7 - 9 proofs & no edition of each state,
printed by Lacourière
One of 7 proofs of the first state, no edition.
Image 49.5 x 64.5cm

Pablo PICASSO
Maison close: le chocolat I 1955
Sugar lift aquatint, etching, engraving &
scraper on Arches wove
paper
No edition: 7 - 9 proofs
of each state,
printed by Lacourière
One of 7 or 9 proofs of the second state, no edition.
Image 49.5 x 64.5cm

Pablo PICASSO
Corrida en Arles 1951
Aquatint & scraper on
Montval laid paper
Proofs only of various
states with varied
inking, no edition.,
One of 12 proofs of First
state printed in black
by Frélaut
Image 41.8 x 54.4cm
Exhibited
Picasso, The Printmaker,
curated by B Baer,
Dallas, Brooklyn, Denver & Detroit 1983 - 84, cat no 117
Tauromaquia, Jan Krugier Gallery, New York, 1991
Picasso: In de vanwaldlung, Ulmer Museum
1994, cat no 75
Picasso, Ferrara 1987,
see cat no 109-112
La tauromaquia, Goya,
Picasso & the Bullfight,
Milwaukee Art Museum;
Fisher Gallery,
University of Southern
California,
Los Angeles; Meadows Museum, Dallas,
1986-87, cat no 11
Picasso & the 20th Century, Grand Rapids Art
Museum, 2002, cat no. 67
Bloch 1355, Geiser 0887A,
Baer 0887AnoiI

Pablo PICASSO
El picador obligando
al torocon su pica 1957
Sugar-lift aquatint on
Guarro wove with bull watermark paper
From La Tauromaquia,
total book edition of
263, plus proofs
One of 4 trial proofs
before the editions, with
the right margin larger
than the left
Image 19.9 x 29.9cm
BL 0962, B 0982Ba,
Geiser 0982Ba, BB 095,
C 100

Pablo PICASSO
El matador Brinda
la muerte del toro 1957
Sugar-lift aquatint on
BFK Rives wove paper
From La Tauromaquia
Total book edition of 263,
plus proofs.
One of 3 trial proofs
before steel-facing,
printed by Frelaut prior
to the editions.
Image 19.9 x 29.9cm
Exhibited Picasso:
Master Printmaker,
Joslyn Art Museum,
Omaha 2005, cat no. 55
Bloch 966, 986,
Geiser 986, Baer 095 C100

Pablo PICASSO
Toros en Vallauris 1960 1960
Rinsed linoleum cut
on Arches wove paper
185 signed & numbered,
50 artists proofs &
25 on poster paper
One of 2 to 5
rinsed proofs printed in
1963-64, each one different
Image 63.5 x 53cm
Bloch 1291, Geiser 1269C
Cz 036, B 1269C

Pablo PICASSO
Nature morte au
compotier 1945
Lithograph on
Arches paper, 1 of 18
artist proofs of the 3rd
and final state,
apart from the
edition of 50
(+18 proofs of 1st
& 2nd states)
35.5 x 24.5cm
Picasso Estate, Marina

Pablo PICASSO
Buste de profil 1957
(Third and final state)
December 27, 1958
Lithograph, uneditioned,
6 proofs
49 x 64cm

Pablo PICASSO
Composition Nov 21, 1948
Lithograph, 64 x 50cm
A/P aside from ED OF 50

Pablo PICASSO
Minotaure aveugle guide
par une fillette II 1934
Etching, edition of 250
Sheet: 30 x 23.9 cm

Goya
PESA MAS QUE
UN BURRO MUIERTO
Heavier than a
dead donkey
DISPARATE FEMENINO
Feminine folly
Plate 1
From Los Proverbios,
1 st edition 1864,ed 300,
printed by Real Academia,
on heavy wove paper
with JGO &
palmette watermark.
Sheet 33 x 50cm
Plate 24.5 x 35cm
Etching, aquatint
& drypoint

Goya
POR TEMOR NO
PIERDAS HONOR
Do not lose honour
through fear
DISPARATE DE MIEDO
Folly of fear
Plate 2
From Los Proverbios,
1 st edition 1864,ed 300,
printed by Real Academia,
on heavy wove paper
with JGO &
palmette watermark.
Sheet 33 x 50cm
Plate 24.5 x 35cm
Etching, burnished
aquatint & drypoint

Goya
ANDARSE PO LAS RAMAS
To go amongst the
branches, i.e. to talk
through one's hat
DISPARATE RIDICULO
Ridiculous Folly
Plate 3
From Los Proverbios,
1 st edition 1864,ed 300,
printed by Real Academia,
on heavy wove paper
with JGO &
palmette watermark.
Sheet 33 x 50cm
Plate 24.5 x 35cm
Etching, aquatint & drypoint

Goya
TRAS EL VICIO VIENE
EL FORNICIO
After vice comes fornication BOBALICÓN Simpleton
Plate 4
From Los Proverbios,
1 st edition 1864,ed 300,
printed by Real Academia,
on heavy wove paper
with JGO &
palmette watermark.
Sheet 33 x 50cm
Plate 24.5 x35cm
Etching, burnished
aquatint, burin & drypoint

Goya
RENIEGO AL AMIGO QUE
CUBRE CON LAS ALAS Y MUERDE CON EL PICO
Renounce the friend
who covers you
with his wings and
bites you with his beak
DISPARATE VOLANTE
Flying folly
Plate 5
From Los Proverbios,
1 st edition 1864,ed 300,
printed by Real Academia,
on heavy wove paper
with JGO &
palmette watermark.
Sheet 33 x 50cm
Plate 24.5 x 35cm

Goya
HIZONOS DIOS Y MARAVIL-LAMOS NOSHO
It is amazing – and we were made by god
DISPARATE FURIOSO
Furious folly
Plate 6
From Los Proverbios,
1 st edition 1864,ed 300,
printed by Real Academia,
on heavy wove paper
with JGO & palmette watermark.
Sheet 33 x 50cm
Plate 24.5 x 35cm
Etching & burnished aquatint

Goya
LA QUE MAL
MARIDA NUCA
LE FALTA QUE DIGA
She who is ill wed
never misses a chance
to say no
DISPARATE DESORDENADO
Disorderly folly
Plate 7
From Los Proverbios,
1 st edition 1864,ed 300,
printed by Real Academia,
on heavy wove paper
with JGO &
palmette watermark.
Sheet 33 x 50cm
Plate 24.5 x 35cm
Etching, aquatint
& drypoint

Goya
SO EL SAYAL, HAY AL
There is something
beneath the sackcloth
i.e. you can't judge a
man by his clothes
NOS ENSACADOS
The men in sacks
Plate 8
From Los Proverbios,
1 st edition 1864,ed 300,
printed by Real Academia,
on heavy wove paper
with JGO &
palmette watermark.
Sheet 33 x 50cm
Plate 24.5 x 35cm
Etching &
burnished aquatint

Goya
UNAS DE GATO Y
HABITO DE BEATO
The claws of a cat and
the dress of a devotee
(Vice is often clothed
in Virtue's habit)
DISPARATE GENERAL
General Folly
Plate 9
From Los Proverbios,
1 st edition 1864,ed 300,
printed by Real Academia,
on heavy wove paper
with JGO &
palmette watermark.
Sheet 33 x 50cm
Plate 24.5 x 35cm
Etching &
burnished aquatint

Goya
LA MUJE Y EL POTRO,
QUE LOS DOME OTRO
A woman and a horse, let someone else master them
EL CABALLO RAPTOR
The horse abductor
Plate 10
From Los Proverbios,
1 st edition 1864,ed 300,
printed by Real Academia,
on heavy wove paper
with JGO &
palmette watermark.
Sheet 33 x 50cm
Plate 24.5 x 35cm
Etching, burnished
aquatint & drypoint

Goya
Two heads are better
than one
DISPARATE POBRE
Poor folly
Plate 11
From Los Proverbios,
1 st edition 1864,ed 300,
printed by Real Academia,
on heavy wove paper
with JGO &
palmette watermark.
Sheet 33 x 50cm
Plate 24.5 x 35cm
Etching, burnished
aquatint, drypoint
& burin
HARRIS 258

Goya
SI MARINA BAYLÓ,
TOME LO QUE HALLÓ
If Marion will dance,
then she has to take
the consequences
Plate 12
From Los Proverbios,
1 st edition 1864,ed 300,
printed by Real Academia,
on heavy wove paper
with JGO &
palmette watermark.
Sheet 33 x 50cm
Plate 24.5 x 35cm
Etching, burnished
aquatint & drypoint
HARRIS 259

Goya
DONDE YA GANAS HAY MAÑA
Where there's a will there's
a way
MODO DE VOLAR
A way of flying
Plate 13
From Los Proverbios,
1 st edition 1864,ed 300,
printed by Real Academia,
on heavy wove paper
with JGO
& palmette watermark.
Sheet 33 x 50cm
Plate 24.5 x 35cm
Etching, aquatint & drypoint

Goya
ALEGRIAS ANTRUEJO,
QUE MANANA
SERAS CENIZA
Rejoice, carnival,
for tomorrow thou
wilt be ashes
DISPARATE DE CANABAL
Carnival folly
Plate 14
From Los Proverbios,
1 st edition 1864,ed 300,
printed by Real Academia,
on heavy wove paper
with JGO &
palmette watermark.
Sheet 33 x 50cm
Plate 24.5 x 35cm
Etching & aquatint
HARRIS 261

Goya
SIN RECOMMENDARSE
A DIOS NI AL DIABLO
Without commending
himself either to God
or the devil
DISPARATE CLARO
Clear folly
Plate 15
From Los Proverbios,
1 st edition 1864,ed 300,
printed by Real Academia,
on heavy wove paper
with JGO &
palmette watermark.
Sheet 33 x 50cm
Plate 24.5 x 35cm
Etching, burnished
aquatint & lavis

Goya
SANAN CUCHILLADAS
MAS NO MALAS PALABRAS Wounds heal quicker
than hasty words
Plate 16
From Los Proverbios,
1 st edition 1864,ed 300,
printed by Real Academia,
on heavy wove paper
with JGO &
palmette watermark.
Sheet 33 x 50cm
Plate 24.5 x 35cm
Etching &
burnished aquatint
HARRIS 263

Goya
EL QUE NO TE AMA
BURLANDO TE DIFAMA
He who does not like
thee will defame thee in jest
LA LEALTAD
Loyalty
Plate 17
From Los Proverbios,
1 st edition 1864,ed 300,
printed by Real Academia,
on heavy wove paper
with JGO &
palmette watermark.
Sheet 33 x 50cm
Plate 24.5 x 35cm
Etching & burnished aquatint
HARRIS 264

Goya
DIOS LOS CRIA Y
ELLOS SE JUTAN
God creates them and
they join up together
Plate 18
From Los Proverbios,
1 st edition 1864,ed 300,
printed by Real Academia,
on heavy wove paper
with JGO &
palmette watermark.
Sheet 33 x 50cm
Plate 24.5 x 35cm
Etching, burnished
aquatint & burin
HARRIS 265

Goya
VALOR VARONIL DE LA CÉLEBRE PAJUELERA EN
LA DE ZARAGOZA
manly courage of the
celebrated Pajuelera in
[the ring] at Saragosa TAUROMAQUIA
plate 22 Etching, burnished aquatint, drypoint & burin
c. 1816
Plate: 25 x 35cm Sheet:
HARRIS 225 DELTEIL 245

Goya
LOS MOROS ESTABLECIDOS
EN ESPAÑA, PRESCINDIENDO
DE LAS SUPERSTICIONES DE
SU ALCORÁN, ADOPARON ESTAT CAZA Y ARTE, Y LANCEAN UN TRO EN CAMPO The Moors settled in Spain, giving up the superstitions of
the Koran, adopted this art of hunting, and spear a bull
in the open.
TAUROMAQUIA plate 3
Etching, burnished aquatint & drypoint c. 1816
Plate: 25 x 35cm Sheet:
HARRIS 206 DELTEIL 246

Goya
ECHAN PEROS AL TORO
They loose dogs on the bull TAUROMAQUIA plate 25
Etching, burnished
aquatint & drypoint c. 1816
Plate: 25 x 35cm Sheet:
HARRIS 228 DELTEIL 246

Goya
BAILANDO EN ENA CUERDA FLOJA c. 1824,
Dancing on a slack rope,
i.e. skating on thin ice DISPARATE PUNTUAL
(Punctual folly) 3rd & final
state with letters
Published 1877 by L’Art titled UNA REINA DEL CIRCO
Etching, aquatint and drypoint, printed on fine laid paper
Plate: 24.5 x 35cm
Sheet: 26 x 21.5cm
HARRIS 267 DELTEIL 221

Goya
QUIEN SE PONDRÁ EL CASCABEL AL GATO? 1824 Who will bell the cat? DISPARATE DE BESTIA
(Animal Folly) Published 1877
by L’Art titled
OSTRAS LEYES POR EL PUEBLO
Etching, burn. aquatint & drypoint, printed on fine
laid paper (wide margins)
Plate: 24.5 x 35cm
Sheet: 26 x 21.5cm
HARRIS 268 DELTEIL 222

Goya
AL TORO Y AL AIRE DALRLES CALLE 1824
Make way for bulls and wind DISPARATE DE TONTOS (TORITOS) Fools, or little bulls, folly Published 1877 by
L’Art titled LLUVIA DE TOROS Etching, aquatint & drypoint, printed on fine laid paper
Plate: 24.5 x 35cm
Sheet: 26 x 21.5cm
HARRIS 269 DELTEIL 223

Goya
LA DESGRACIADA MUERTE
DE PEPE ILLO EN LA PLAZA
DE MADRID
The unlucky death of
Pepe Illo in the ring at Madrid TAUROMAQUIA plate 33
Etching, burnished aquatint, drypoint & burin c. 1816
Plate: 25 x 35cm Sheet:
HARRIS DELTEIL 246

Goya
DOS A UNO, METEN
LA PAJA EN EL CULO
If two to one, stuff your arse with straw DISPARATE CONOCIDO
Well-known folly
Published 1877 by L’Art titled Que Guerrero Etching,
aquatint & drypoint,
printed on fine laid paper
Plate: 24.5 x 35cm
Sheet: 26 x 21.5cm
HARRIS 266 DELTEIL 220