|
|
|
|
|
Lincoln AUSTIN
Becoming
2012
35 x 27 x 20cm
Stainless Steel,
Clillagoe Marble, Epoxy Resin, Rubber
|
Lincoln AUSTIN
On your marks 2012
Marble, stainless steel, epoxy resin
39 x 34 x 12cm |
Lincoln AUSTIN
The foxes wedding (sunshower) 2012
Marble, stainless steel, epoxy resin
38 x 29 x 26cm |
Lincoln AUSTIN
Transference 2012
Marble, stainless steel, epoxy resin
42 x 27 x 12cm |
| |
|
|
|
|
|
|
|
|
Max BECKMANN
Löwenpaar (Lion Couple) 1921
Chalk lithograph on laid paper
Published as an edition of 100 signed and partly numbered proofs by R. Piper
& Co., Munich 1921
Signed Beckmann in pencil lower middle
collectors stamp Slg. Carl Vogel Hamburg verso
Image 40.7 x 28.2 cm
(paper 53 x 38 cm)
Hofmaier 184 B c (of d)
|
Stephen BIRD
Atheist, 2012
20x24cm
Tin glazed earthenware |
Stephen BIRD
Remorse
2012
44x54
Tin glazed earthenware |
Peter BOOTH
Drawing 2008 (man in cardboard)
Pastel on paper
21 x 17cm |
| |
|
|
|
|
|
|
|
|
Peter BOOTH
Drawing 2012 (figure in a landscape with bottle)
Pastel on paper
27 x 48.5cm
|
Peter BOOTH
Drawing 2012 (man and dog)
Pastel on paper
21 x 27cm |
Peter BOOTH
Painting 2010 (head, black background)
Oil on linen, 36 x 41cm |
Peter BOOTH
Painting 2010 (head, white background)
Oil on linen, 36 x 41cm |
| |
|
|
|
|
|
|
|
|
Peter BOOTH
Painting 2010 (landscape, trees on right)
Oil on linen, 41 x 46cm
|
Peter BOOTH
Drawing 1984 (figure drinking)
Charcoal on paper
18 x 27 cm |
Peter BOOTH
Drawing (river and tree)
Pastel on paper
17.5 x 27.5 cm |
Louise BOSCACCI
Acid Jar (below, umber and ink) 2010
Engraved, glazed stoneware
H: 48 cm W: 27 cm |
| |
|
|
|
|
|
|
|
|
Louise BOSCACCI
Lutreolus two (Book of Rose Gums), 2012
Engraved porcelain
Two pieces:
37 x 3 cm, 18 x 2.5 cm.
|
Jonathan DELAFIELD COOK
Poppy I 2012
Charcoal on paper,
52 x 70cm |
Jonathan DELAFIELD COOK
Poppy II 2012
Charcoal on paper,
52 x 70cm |
Jonathan DELAFIELD COOK
Trophy 2 2012
Drawing on paper,
73 x 58cm |
| |
|
|
|
|
|
|
|
|
William DELAFIELD COOK
Farm 2005-11
Acrylic on linen,
101.5 x 122cm
Signed
|
Lucian FREUD
Girl holding her foot 1985
Etching, artist proof AP XIV/XV, aside from edition of 50
Plate: 69 x 54cm
Paper: 89 x 72cm
Signed and numbered in pencil framed
Hartley 25
Exhibited: Newcastle Gallery 2003 |
Sam FULLBROOK
Dog walkers c. 1995
Pastel
24 x 31.5cm |
Sam FULLBROOK
Koala c. 1995
Oil on canvas board
17.8 x 22.8cm |
| |
|
|
|
|
|
|
|
|
Francisco GOYA
Y no hai remedio
(And there’s no help for it)
Plate Size: 14 x 16.5cm
Plate 15 from Disasters of War suite
Harris No: 135
First Edition of 500
Published in 1863
paper size 25 x 32.5cm
(wide margins)
Provenance: Art Gallery
of South Australia
|
Francisco GOYA
Por qué? (Why?)
Plate No 32
The Disasters of War (1810-1820)
Plate size 15 x 20.2cm
First edition, edition of 500,
wide margins;
published in 1863.
Harris No 152
Provenance: Art Gallery
of South Australia |
George GROSZ
DER ZUCHTHÄUSLER 1919
(The convict)
Lithograph, from the edition of 40, on chamois wove paper.
46.2 x 34.4 cm (62.9 x 51.4 cm)
Published by
Galerie Hans Goltz, M
unich 1920.
Signed Grosz in pencil lower right, numbered 9 lower left.
Dückers E 52 |
George GROSZ
IM DRAHTVERHAU. VIGNETTE ZU HOFFNUNG 1928
(Wire entanglement, vignette for ‘Hope’)
Reed pen, pen and ink drawing on drawing paper,
42.9 x 46.2 cm
Signed and dated Grosz 1928 in pencil lower right, numbered below and inscribed ? 10 Vignette zu Hoffnung.
Estate stamp and numbered 2-145-3 verso.
Provenance: Artist’s studio, Berlin-Wilmersdorf, 1928;
Estate of the artist, 1959. |
| |
|
|
|
|
|
|
|
|
George GROSZ
KEIN HAHN KRÄHT
NACH IHNEN 1920
(Nobody cares about them)
Lithograph on yellowish wove paper.
Ca. 27.5 x 22 cm
(41.1 x 31 cm)
Signed Grosz in pencil lower right.
Published with Vollkocmene Menschen (Perfect People) at DIE SCHAFFENDEN, 2nd volume, 4th portfolio, by Paul Westheim, Gustav Kiepenheuer Verlag, Weimar 1920.
With blindstamp DIE SCHAFFENDEN lower left corner.
Dückers E 63
|
George GROSZ
VOLLKOMMENE MENSCHEN 1920
(Perfect people)
Lithograph From the edition of 125, published in DIE SCHAFFENDEN.
27.5 x 21.8 cm (40.8 x 31cm)
Signed in pencil lower right GROSZ.
Dückers E 62 |
Nicholas HARDING
Carillon magnolia 2012
Oil on Belgian linen 31x36cm |
Amanda MARBURG
Julia 2012
Oil on linen
76 x 56cm |
| |
|
|
|
|
|
|
|
|
Amanda MARBURG
Kari 2012
Oil on linen
56 x 76cm
|
Amanda MARBURG
Marion 2002
Oil on linen, 50 x 75cm
With Plasticine model in
Perspex box
16 x 10 x 10cm |
Amanda MARBURG
Severed head 2009
Oil on linen
31 x 41cm |
Amanda MARBURG
The beast that stinks out all the world II 2009
86.5 x 122cm |
| |
|
|
|
|
|
|
|
|
Tim McMONAGLE
A fixed address (Octopus)
2012
Oil on linen
76 x 76cm
|
Tim McMONAGLE
A fixed address (Cake 1) 2012
Oil on linen
76 x 76cm
|
Tim McMONAGLE
A fixed address (Turkey) 2012
Oil on linen
87 x 87cm
|
Tim McMONAGLE
A fixed address (Cake 2) 2012
Oil on linen
87 x 87cm
|
| |
|
|
|
|
|
|
|
|
Tim McMONAGLE
A fixed address (Cake 3) 2012
Oil on linen
87 x 87cm
|
Tim McMONAGLE
A fixed address (Duck 1)
2012
Oil on linen
102 x 102cm
|
Tim McMONAGLE
A fixed address (Duck 2)
2012
Oil on linen
102 x 102cm
|
Tim McMONAGLE
A fixed address (Seafood 1) 2012
Oil on linen
122 x 122cm
|
| |
|
|
|
|
|
|
|
|
Tim McMONAGLE
A fixed address (Drawing #1) 2012
Mixed media on paper
42 x 42cm
|
Tim McMONAGLE
A fixed address (Drawing #2) 2012
Mixed media on paper
42 x 42cm
|
Tim McMONAGLE
A fixed address (Drawing #3) 2012
Mixed media on paper
42 x 42cm
|
Tim McMONAGLE
A fixed address (Drawing #4) 2012
Mixed media on paper
42 x 42cm
|
| |
|
|
|
|
|
|
|
|
Tim McMONAGLE
A fixed address (Drawing #5) 2012
Mixed media on paper
42 x 42cm
|
Paul RYAN
Cook - is that a sword in your pocket?
2012
Oil on linen,
122 x 91cm |
Karl SCHMIDT-ROTTLUFF
Katzen (Cats) 1915, published 1919
Woodcut on laid paper
From the portfolio
Ten Woodcuts by Schmidt-Rottluff (Zehn Holzschnitte von
Schmidt-Rottluff)
Image 40 x 50.1 cm
(Paper 50.9 x 61.1 cm)
Signed in pencil lower right SRottluff and inscribed with the work number
1512 lower left.
Schapire H 169 |
Prue VENABLES
Black group 3 2012
Bottle,
(h) 23 x (w) 9.5 x (d) 8cm
Oval bowl
(h) 18 x (w) 27.5 x (d) 30cm
Spoon
(l) 24 x (w) 4.5 x (d) 7cm |
| |
|
|
|
|
|
|
|
Guy WARREN
Fowler’s land (2) 2011
Watercolour on paper,
57 x 76cm |
Guy WARREN
Hillside 2011
Watercolour on paper,
38 x 56cm |
Fred WILLIAMS
Fallen tree circular plate 1967
Etching, aquatint, engraving and drypoint on cream Ingres paper
State V/V, edition 11/14
Image 16.8cm;
paper 29.5 x 26.5cm
|
Fred WILLIAMS
Landscape with a steep road 1959
Aquatint, etching, drypoint and engraving on grey Ingres paper.
State V/V, edition 17/18
Image 19.5 x 15.5cm;
paper 29.5 x 24cm
JM 174 |
| |
|
|
|
|
|
|
|
Fred WILLIAMS
Waterfalls 1959-61
Relief etching, engraving and drypoint, in sepia,
on Kent paper.
State IV/IV, edition 7/20
Image 20.5 x 13.8cm;
paper 26 x 19cm
JM 180 |
Fred WILLIAMS
Gum trees in a landscape I 1969
Oil on canvas, 122 x 91.5cm
Signed lower right
Provenance: ROV:
Estate of the Artist (LW 80)
Exhibited: Fred Williams Retrospective: 1987-1989 :
2006 Fred Williams,
Rex Irwin Art Dealer, cat 5
Literature: A Singular Vision Mollison P 101 |
Fred WILLIAMS
Hillside III 1968
Oil on canvas,
61x 66cm
Signed lower right
|
Fred WILLIAMS
Rocks at the You Yangs I 1978
Oil on canvas, 76.2 x 81.2cm
Unsigned, estate stamp verso
Framed
(You Yangs 3rd series)
|
| |
|
|
|
|
|
|
|
Fred WILLIAMS
Saplings, Chum Creek I 1963
Gouache on Arches paper,
53.2 x 40cm
Signed lower right
(You Yangs first series) |
Fred WILLIAMS
Saplings, Chum Creek II 1963
Gouache on Arches paper,
56.8 x 37.5cm
Signed lower left
(You Yangs first series) |
Fred WILLIAMS
Upwey 1965
Oil on canvas, 86.1 x 71cm
Signed lower left
Provenance: Private Coll., Melb; Nevill Keating Pictures, London
Private Coll., London; Sotheby’s Australia, May 2012, lot. 24
Exhibited:
Heroic Landscape: Williams/Streeton, NGV,
1970, no. 38
Visions of Australia 1950-2000, Nevill Keating Pictures,
Lon, July 2000, no. 3, ill.
Literature: P McCaughey,
FW, p. 211 (ill.) |
|
| |
|
|
|
