Pablo PICASSO
Le Repas Frugal 1904
Plate 1 from La Suite des Saltimbanques 1913
Etching & scraper on zinc, printed after steel
facing on van Gelder paper,
one of the edition
of 250 printed in 1913
for Vollard by Fort
Plate 46.3 x 37.7cm
Paper 65.7 x 50.5cm
(full margins)
Bloch 1, Geiser/Baer 2 II.B2 |
Pablo PICASSO
Les Deux Saltimbanques 1905
Plate 5 from La Suite des Saltimbanques 1913
Etching, from the deluxe
edition of 27 or 29
on Japon paper, aside
from
the edition of 250
Plate 12 x 9.1cm
Bloch 5, Baer 6iiib |
Pablo PICASSO
Scene Bachique au
Minotaure 1933
Etching, from the
edition of 250
Image 29.7 x 36.6cm
Plate 85 from La Suite
Vollard,
Signed lower right
Bloch 192, Geiser 351 |
Pablo PICASSO
Sculpteur et Trois Danseuses Sculptées
29 mars 1934
Plate 81 from La Suite Vollard
Etching, from the edition of 250
Plate 22.3 x 31.3cm
Bloch 217 |
Pablo PICASSO
Sculpteur et modele
debout 17 avril 1933
Plate 68 from
La Suite Vollard
Etching, from the
edition of 50
Plate 36.7 x 29.8cm
Bloch 177 |
Pablo PICASSO
Bacchus et femme
nue etendue 1933
Engraving & drypoint
on Montval paper
with Picasso
watermark, ed. 55
before steel
facing, printed by
Lacouriere in 1942
Plate 29.8 x 23.9cm
Bloch 0284 Geiser 0432.3 |
Pablo PICASSO
Deux petits taureaux 1945
Lithograph on Arches
wove paper
One of 18 proofs, no edition
Image 14 x 26cm
Bloch 1342, Mourlot 010 |
Pablo PICASSO
Maison close: le chocolat I 1955
Sugar-lift aquatint, etching, engraving &
scraper on Arches wove paper
7 - 9 proofs & no edition of each state,
printed by Lacourière
One of 7 proofs of the first state, no edition.
Image 49.5 x 64.5cm |
Pablo PICASSO
Maison close: le chocolat I 1955
Sugar lift aquatint, etching, engraving &
scraper on Arches wove
paper
No edition: 7 - 9 proofs
of each state,
printed by Lacourière
One of 7 or 9 proofs of the second state, no
edition.
Image 49.5 x 64.5cm |
Pablo PICASSO
Corrida en Arles 1951
Aquatint & scraper on
Montval laid paper
Proofs only of various
states with varied
inking, no edition.,
One of 12 proofs of First
state printed in black
by Frélaut
Image 41.8 x 54.4cm
Exhibited
Picasso, The Printmaker,
curated by B Baer,
Dallas, Brooklyn, Denver & Detroit 1983 - 84, cat no 117
Tauromaquia, Jan Krugier Gallery, New
York, 1991
Picasso: In de vanwaldlung, Ulmer Museum
1994, cat no 75
Picasso, Ferrara 1987,
see cat no 109-112
La tauromaquia, Goya,
Picasso & the Bullfight,
Milwaukee Art Museum;
Fisher Gallery,
University of Southern
California,
Los Angeles; Meadows Museum, Dallas,
1986-87, cat no 11
Picasso & the 20th Century, Grand Rapids Art
Museum, 2002, cat no. 67
Bloch 1355, Geiser 0887A,
Baer 0887AnoiI |
Pablo PICASSO
El picador obligando
al torocon su pica 1957
Sugar-lift aquatint on
Guarro wove with bull
watermark paper
From La Tauromaquia,
total book edition of
263, plus proofs
One of 4 trial proofs
before the editions, with
the right margin larger
than the left
Image 19.9 x 29.9cm
BL 0962, B 0982Ba,
Geiser 0982Ba, BB 095,
C 100 |
Pablo PICASSO
El matador Brinda
la muerte del toro 1957
Sugar-lift aquatint on
BFK Rives wove paper
From La Tauromaquia
Total book edition of 263,
plus proofs.
One of 3 trial proofs
before steel-facing,
printed by Frelaut prior
to the editions.
Image 19.9 x 29.9cm
Exhibited Picasso:
Master Printmaker,
Joslyn Art Museum,
Omaha 2005, cat no. 55
Bloch 966, 986,
Geiser 986, Baer 095 C100 |
Pablo PICASSO
Toros en Vallauris 1960 1960
Rinsed linoleum cut
on Arches wove paper
185 signed & numbered,
50 artists proofs &
25 on poster paper
One of 2 to 5
rinsed proofs printed in
1963-64, each one different
Image 63.5 x 53cm
Bloch 1291, Geiser 1269C
Cz 036, B 1269C |
Pablo PICASSO
Nature morte au
compotier 1945
Lithograph on
Arches paper, 1 of 18
artist proofs of the 3rd
and final state,
apart from the
edition of 50
(+18 proofs of 1st
& 2nd states)
35.5 x 24.5cm
Picasso Estate, Marina |
Pablo PICASSO
Buste de profil 1957
(Third and final state)
December 27, 1958
Lithograph, uneditioned,
6 proofs
49 x 64cm |
Pablo PICASSO
Composition Nov 21, 1948
Lithograph, 64 x 50cm
A/P aside from ED OF 50 |
